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Radio<\/a><\/h3>\nPodcasts<\/a><\/h3>\nAudiobooks<\/a><\/h3>\nOther<\/a><\/h3>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_id=”Radio” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Radio<\/h2>\n
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Independent radio production first began with producers making programmes for Radio Luxembourg in the 1950s and 1960s, but the main commissioner of independently produced radio programmes is currently the BBC, which began commissioning in its current form in 1992. <\/span><\/p>\nThe BBC had a voluntary 10 percent quota, augmented from 2010 by an additional 10% Window of Creative Competition (WoCC) which was introduced when the then Radio Independents Group (RIG) argued for greater access to compete for BBC commissions. <\/span><\/p>\nThis was followed by the commitment in the BBC Charter of 2016 to open up a minimum of 60% non-news BBC Radio commissioning to competition by the end of 2022. This was again achieved through AudioUK\/RIG\u2019s representation work, which successfully made the case to the BBC that its \u2018Compete or Compare\u2019 competitive strategy should be applied to radio commissioning as well as TV. To find out more about Radio \/Sounds commissioning, including how to become a registered BBC supplier, visit their commissioning page here: https:\/\/www.bbc.co.uk\/commissioning\/radio. <\/a><\/span><\/p>\nMore recently the Government, following representations from AudioUK, agreed to allocate up to \u00a33m from its contestable fund to create the <\/span>Audio Content Fund<\/span><\/a>, which is distributing grants over a three-year pilot period to provide for innovative original public service programming on commercial and community radio. AudioUK, along with commercial radio body Radiocentre, jointly set up the ACF and sit on its Board.<\/span><\/p>\n<\/span><\/p>\nOur members also operate internationally, exporting radio content, skills, expertise and services such as station branding and live broadcast events.<\/span><\/p>\nWe work with our members companies to further strengthen our sector in terms of radio production and related activity.<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_id=”Podcasts” _builder_version=”4.16″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Podcasts<\/b><\/h2>\n
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The podcast sector is steadily growing in the UK, having first risen to prominence in the US. Our ready\u2013made independent audio production sector has turned its skills to making high-quality professional podcasts, and the new format has also led to new producers setting up companies and building podcast-only business, extending their production to live events and in some cases moving them into television.<\/span><\/p>\nIn 2021, podcast advertising expenditure in the UK amounted to \u00a346m. This figure is estimated to increase within the next few years, reaching an estimated \u00a380m by 2026. <\/span>Edison Research’s Infinite Dial 2021 UK Survey, the first of its kind in this country, showed that the UK was on a level with the US for monthly podcast consumption. <\/span><\/p>\nThe sector has grown organically with many podcast-makers starting off on a freelance basis. AudioUK is encouraging these talented people to take the next step to ensure they maximise their talent and its value as well as learning new skills in audio production and in managing and growing their businesses.<\/span><\/p>\nAudioUK works with members companies active in this area to strengthen our sector in terms of podcast production and related activity. <\/span><\/p>\nOne such initiative is our work to support the introduction of an Audio Production Tax Relief (APTR).<\/a><\/span>\u00a0<\/p>\nAudioUK is an official Media Partner of the Podcast Show London<\/a> and the Birmingham Podcast Festival<\/a>, as well as the Podcasting Seriously Awards Fund<\/a>. <\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_id=”Audiobooks” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Audiobooks<\/b><\/h2>\n
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The audiobook production sector is, like podcasts, growing organically, with a mixture of production companies, in-house studios and freelance narrators and producers all contributing to the making of audiobooks.<\/span><\/p>\n
Audiobooks<\/a><\/h3>\nOther<\/a><\/h3>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_id=”Radio” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Radio<\/h2>\n
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Independent radio production first began with producers making programmes for Radio Luxembourg in the 1950s and 1960s, but the main commissioner of independently produced radio programmes is currently the BBC, which began commissioning in its current form in 1992. <\/span><\/p>\nThe BBC had a voluntary 10 percent quota, augmented from 2010 by an additional 10% Window of Creative Competition (WoCC) which was introduced when the then Radio Independents Group (RIG) argued for greater access to compete for BBC commissions. <\/span><\/p>\nThis was followed by the commitment in the BBC Charter of 2016 to open up a minimum of 60% non-news BBC Radio commissioning to competition by the end of 2022. This was again achieved through AudioUK\/RIG\u2019s representation work, which successfully made the case to the BBC that its \u2018Compete or Compare\u2019 competitive strategy should be applied to radio commissioning as well as TV. To find out more about Radio \/Sounds commissioning, including how to become a registered BBC supplier, visit their commissioning page here: https:\/\/www.bbc.co.uk\/commissioning\/radio. <\/a><\/span><\/p>\nMore recently the Government, following representations from AudioUK, agreed to allocate up to \u00a33m from its contestable fund to create the <\/span>Audio Content Fund<\/span><\/a>, which is distributing grants over a three-year pilot period to provide for innovative original public service programming on commercial and community radio. AudioUK, along with commercial radio body Radiocentre, jointly set up the ACF and sit on its Board.<\/span><\/p>\n<\/span><\/p>\nOur members also operate internationally, exporting radio content, skills, expertise and services such as station branding and live broadcast events.<\/span><\/p>\nWe work with our members companies to further strengthen our sector in terms of radio production and related activity.<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_id=”Podcasts” _builder_version=”4.16″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Podcasts<\/b><\/h2>\n
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The podcast sector is steadily growing in the UK, having first risen to prominence in the US. Our ready\u2013made independent audio production sector has turned its skills to making high-quality professional podcasts, and the new format has also led to new producers setting up companies and building podcast-only business, extending their production to live events and in some cases moving them into television.<\/span><\/p>\nIn 2021, podcast advertising expenditure in the UK amounted to \u00a346m. This figure is estimated to increase within the next few years, reaching an estimated \u00a380m by 2026. <\/span>Edison Research’s Infinite Dial 2021 UK Survey, the first of its kind in this country, showed that the UK was on a level with the US for monthly podcast consumption. <\/span><\/p>\nThe sector has grown organically with many podcast-makers starting off on a freelance basis. AudioUK is encouraging these talented people to take the next step to ensure they maximise their talent and its value as well as learning new skills in audio production and in managing and growing their businesses.<\/span><\/p>\nAudioUK works with members companies active in this area to strengthen our sector in terms of podcast production and related activity. <\/span><\/p>\nOne such initiative is our work to support the introduction of an Audio Production Tax Relief (APTR).<\/a><\/span>\u00a0<\/p>\nAudioUK is an official Media Partner of the Podcast Show London<\/a> and the Birmingham Podcast Festival<\/a>, as well as the Podcasting Seriously Awards Fund<\/a>. <\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_id=”Audiobooks” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
Audiobooks<\/b><\/h2>\n
[\/et_pb_text][et_pb_image src=”https:\/\/www.audiouk.org.uk\/wp-content\/uploads\/2019\/08\/Line-Yellow.png” title_text=”Line Yellow” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n
The audiobook production sector is, like podcasts, growing organically, with a mixture of production companies, in-house studios and freelance narrators and producers all contributing to the making of audiobooks.<\/span><\/p>\n
The BBC had a voluntary 10 percent quota, augmented from 2010 by an additional 10% Window of Creative Competition (WoCC) which was introduced when the then Radio Independents Group (RIG) argued for greater access to compete for BBC commissions. <\/span><\/p>\n This was followed by the commitment in the BBC Charter of 2016 to open up a minimum of 60% non-news BBC Radio commissioning to competition by the end of 2022. This was again achieved through AudioUK\/RIG\u2019s representation work, which successfully made the case to the BBC that its \u2018Compete or Compare\u2019 competitive strategy should be applied to radio commissioning as well as TV. To find out more about Radio \/Sounds commissioning, including how to become a registered BBC supplier, visit their commissioning page here: https:\/\/www.bbc.co.uk\/commissioning\/radio. <\/a><\/span><\/p>\n More recently the Government, following representations from AudioUK, agreed to allocate up to \u00a33m from its contestable fund to create the <\/span>Audio Content Fund<\/span><\/a>, which is distributing grants over a three-year pilot period to provide for innovative original public service programming on commercial and community radio. AudioUK, along with commercial radio body Radiocentre, jointly set up the ACF and sit on its Board.<\/span><\/p>\n <\/span><\/p>\n Our members also operate internationally, exporting radio content, skills, expertise and services such as station branding and live broadcast events.<\/span><\/p>\n We work with our members companies to further strengthen our sector in terms of radio production and related activity.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_id=”Podcasts” _builder_version=”4.16″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/www.audiouk.org.uk\/wp-content\/uploads\/2019\/08\/Line-Yellow.png” title_text=”Line Yellow” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.18.0″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n The podcast sector is steadily growing in the UK, having first risen to prominence in the US. Our ready\u2013made independent audio production sector has turned its skills to making high-quality professional podcasts, and the new format has also led to new producers setting up companies and building podcast-only business, extending their production to live events and in some cases moving them into television.<\/span><\/p>\n In 2021, podcast advertising expenditure in the UK amounted to \u00a346m. This figure is estimated to increase within the next few years, reaching an estimated \u00a380m by 2026. <\/span>Edison Research’s Infinite Dial 2021 UK Survey, the first of its kind in this country, showed that the UK was on a level with the US for monthly podcast consumption. <\/span><\/p>\n The sector has grown organically with many podcast-makers starting off on a freelance basis. AudioUK is encouraging these talented people to take the next step to ensure they maximise their talent and its value as well as learning new skills in audio production and in managing and growing their businesses.<\/span><\/p>\n AudioUK works with members companies active in this area to strengthen our sector in terms of podcast production and related activity. <\/span><\/p>\n One such initiative is our work to support the introduction of an Audio Production Tax Relief (APTR).<\/a><\/span>\u00a0<\/p>\n AudioUK is an official Media Partner of the Podcast Show London<\/a> and the Birmingham Podcast Festival<\/a>, as well as the Podcasting Seriously Awards Fund<\/a>. <\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_id=”Audiobooks” _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/www.audiouk.org.uk\/wp-content\/uploads\/2019\/08\/Line-Yellow.png” title_text=”Line Yellow” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n The audiobook production sector is, like podcasts, growing organically, with a mixture of production companies, in-house studios and freelance narrators and producers all contributing to the making of audiobooks.<\/span><\/p>\nPodcasts<\/b><\/h2>\n
Audiobooks<\/b><\/h2>\n